April 2008

Saturday 12/4: Dreamings: The art of Australians Aborigines. - Elpida Rikou, DR. social psychology, anthropologist

Saturday 19/4: The composer Panayiotis Demopoulos present his work.

March 2008

Saturday 15/3: Schoenberg of René Leibowitz. - Thomas Sliomis

Saturday 22-23/3: The idea of form and content through the two-parts Inventions of J.S.Bach. - George Zeros, composer, musicologist

February 2008

Tuesday 5/2: Maturation, Exploration, and Musicality: New Music for Saxophone and Electronics. - Eric Honour, composer, saxophonist, State University of Missouri (USA)

January 2008

Saturday 12/1: Sibelius, Bartok, Skalkotas: three more recent nationalistic composers and Schoenberg’s theory of ‘developing variation’. - Part B - Nikos Christodoulou, orchestral director, composer

December 2007

Saturday 1/12: Romanticism in european art. - Yiannis Kondaratos, painter

Wednesday 5/12: Sibelius, Bartok, Skalkotas: three more recent nationalistic composers and Schoenberg’s theory of ‘developing variation’. - Part A - Nikos Christodoulou, orchestral director, composer

Saturday 22/12: Contemporary Sonata. - Thanasis Zervas, composer, saxophonist

November 2007

Friday 23/11: Composing for the twenty-first-century trumpet. - Rex Richardson, trumpet player, composer

October 2007

Saturday 27/10: Presentation: musical works by Greek composers produced at KSYME 1986-2007.

September 2007

Saturday 22/9: The music and ideas of Trevor Wishard. - Tim Ward, composer

 

Saturday 19th April 2008, 19:00

The composer Panayiotis Demopoulos present his work.

“historical failure: the rejection of music”

"New composers present their works"

 

 

21st century composition and improvisation share common issues in being two complementing practices in search of unknown semantic qualities. The notion of intellectual property, the standardization of musical notations and sound qualities and the veneration of identities are some of the central points, which concern scholarly and other musical activity.

Through presenting my own work, I will attempt to refer to ways of dealing with these issues through traditional routes of composing and improvising, but also through extra-musical pursuits. In the absence of a quest for typified individuality, the concept of musical failure is approached as a teleological secret and historiographical taboo

url: http://www.panopiano.co.uk

 

The lecture will take place at the Centre for Music Composition & Performance, 156 Ippokratous str, 11472 Athens.

admission free

156 Ippokratous str, 11472 Athens, Greece- tel: +30 210 6455777 - email: cmcp@cmcp.gr